All things in this world have a mystery of their own. — Zohar 2:16a Psycho Macchina Morning glittered across the dewy turf brilliant as Mozart. The white building on the manicured lawn looked like music, too. Its melodious, horizontal geometry of stucco walls curved to green tinted glass and created a feeling of movement. Landscape screens of Italian cypress hid adjacent houses in the exclusive neighborhood overlooking the Hudson. Manhattan, spangled with sunlight, dominated the eastern prospect and cast bold shadows on the river. Snaking across the broad lawn, a brick path led to an airy entryway. Jade glass sidelights framed a monolithic eight-by-nine-foot sliding door of brushed steel that glided open silently. In the sunstruck foyer, under high skylights, a highly-polished bronze torso of a nude female stood. It gigantically occupied a space of sinuate walls, empty and white, and no furniture. The visitors, two elegantly dressed men, stood baffled before the colossal bronze until a young, strawberry blonde in a white silk shirt and gray slacks approached. Smiling earnestly, she greeted them, “Bevan Powers – Motassem Razori – please, come in. E. Randolph will see you shortly.” E. Randolph Rayne, gallery owner and executive art dealer, knew more about the secret world of vampires than anyone on the planet. For that reason, Bevan Powers had sought him out here at Psycho Macchina, Rayne’s exclusive art salon. Reserved months in advance, the gallery offered corporate clients monumental, contemporary chef-d’oeuvres. Bevan had not expected to wait. An aggressive arbitrageur with a majestic net worth, he moved through circles where people usually waited for him. Today, however, he would wait, because four nights ago he had met his first vampire. “I’m Jenne Prosper.” The strawberry blonde led the men around the mirroring torso to a placid, vacant space. Curly-heart pine floorboards gleamed. A single desk of smoked glass fronted a stainless-steel chair. The desk shared a flat screen monitor with a wireless keyboard and nothing else, no telephone, no pad, not a pencil. “Please, sit.” Jenne motioned to a low bench of laminated birch and took her own seat. “Something to drink perhaps?” Both men declined and sat. With a flagrant murmur of silence in the air and nothing on the white, undulant walls but slants of sunlight, they stared at their bespoke shoes. Motassem Razori reached inside his jacket pocket, removed a small pad and began to scribble. Bevan Powers flexed his hands and, in the singing silence, remembered why he was here. Four nights ago, when the trill alarm in his mattress had gently awakened him, he had groggily noted the time on the nightstand’s digital display: 2:49 AM. Razori’s voice quietly informed him on the intercom, “Sir, I find your daughter at the gate.” A week earlier, sixteen-year-old Ivy Powers had disappeared from the hospital where her doctors had admitted her for treatment of lymphoma. The disease had manifested suddenly and aggressively, resistant to therapy. She would be dead in six months, and he hadn’t blamed her for running away to die somewhere else on her own terms. “Let her in, Razori.” “She will not, sir. She would speak with you at the gate.” “She knows I’m here.” Olivia Fairleigh-Powers sat up in bed beside Bevan. “That’s why she won’t come in.” Olivia, his third wife, a tall, striking woman of honeyed skin, frost hair and razor blue eyes possessed a face of stern beauty. “She despises me.” Bevan did not refute her. He put on a kaftan and hurried out of the bedchamber. As he passed through the dressing room, he glanced at himself in a cheval mirror. Blue-black hair stood out stiffly. His very pale face and dramatic hazel eyes hovered like an apparition in the focal light, and he startled himself. Sleep creases marred his boyish, heartbroken features. Quickly, he swept fingers across his scalp and rushed to the stairwell. Razori met him in the security office on the first floor. The front gate monitors showed a midsize car, empty except for Ivy in the driver’s seat. He asked her to come in and opened the gates, but she refused. In exasperation, he agreed to come out. Razori gave him a disquieted look. Perhaps Ivy had not run away from the hospital. Perhaps she was a lure. In Bevan’s business, underworld figures sometimes made trouble. And that’s why he had hired Razori, a former Iraqi intelligence officer and Sunni thug with a falcon’s furious face. Razori drove Bevan out to the gate in the Peugeot, and when they arrived, sure enough, there was a big man with a shaved head sitting next to Ivy. “Stay, sir.” The trained killer got out of the Peugeot and approached the midsize, hand in his jacket gripping an M11 compact pistol. “Miss Ivy, please, come from the car.” Ivy got out. She didn’t appear as emaciated as she had in the hospital, where she had shrunk to her skeleton. In the metal halide floodlights, she looked implausibly beautiful: spiky midnight hair in perfect disorder, surly teen features pallid as if a cutout of moonlight. She spieled some long speech about how she was all right now and had decided to live on her own and didn’t want her father worrying about or searching for her. While she rattled on, Bevan exited the Peugeot and gradually approached, intending to grab her and haul her inside, away from that big stranger in the passenger seat wearing ski sunglasses in the dark. The stranger stepped out, and Razori drew his M11. What happened next… # Evolving Door What happened next? Bevan dizzied at the memory and stood up. “May I look around?” Jenne Prosper peered over the flat screen with a rabbity pout. “The installations are in the east wing. Some are mechanical, others electrical. For your safety, Mister Powers, be sure not to touch them.” Razori moved to rise, and Bevan motioned for him to stay. “Finish your poem, Razori. I’ll be fine.” Effervescent as champagne, sunlight bounded off the